Softcover | 16 x 1.7 x 24.5 cm | 240 pp

Société Française de Photographie | 2010 | 9782911961267

Text in English and French

Since 1996, with contributions by noted scholars, the peer-reviewed journal Études Photographiques, has been leading the way in providing academics and the arts community access to the most current research on photography, the history of photography and visual culture.

CONTENTS:

The ‘Greatest of War Photographers’: Jimmy Hare, A Photojournalist at the Turn of the Twentieth Century 

On the Efficacy of Artifice: PM, Radiophoto, and the Journalistic 
Discourse of Photographic Objectivity 

True Crime Magazines: Formal Strategies in the True Crime Photograph 

Joachim Schmid: O Campo 

Wide Angle at the Beach: The Origins of the Paparazzi and the Cannes Film Festival 

The Colour of May 1968: Paris Match and the Events of May and June 1968 

Photojournalistic Integrity: Codes of Conduct, Professional Ethics, and the Moral Definition of Press Photography